Michelangelo Buonarroti and Pope Julius II are two towering figures of the High Renaissance—one, a multi-talented artist revered for his sculptures, paintings, and architectural feats; the other, a fiery and ambitious pontiff bent on leaving a colossal mark on the Catholic Church’s visual and spiritual legacy. Together, they changed the course of art history in early 16th-century Rome.
The overarching objective of this dissertation is to provide an in-depth exploration and understanding of fascist theology within the socio-political landscape of contemporary American society. This will be accomplished through a multi-dimensional approach that includes the following specific objectives.
The Sistine Chapel ceiling is one of the greatest artistic achievements in history, a masterpiece that has inspired countless generations. Yet behind its beauty lies a dramatic story of artistic reluctance, papal persistence, and sheer determination. At the heart of this tale are two formidable figures: Michelangelo Buonarroti, the master sculptor turned reluctant painter, and Pope Julius II, the powerful and often impatient pontiff who refused to take "no" for an answer.